The Funarte Circulation and Diffusion of Dance Award – 2022, promoted across the country by the National Arts Foundation (Funarte), includes 30 projects for the circulation of dance shows. One of these projects is “Karma”, conceived, directed and performed by Rodolfo Lorandi and Maria Claudia Reginato, representing Santa Catarina, where the couple lives and works in Florianópolis. The performance, created in 2015, is based on partnership, ballroom and contemporary dances, and covers Santa Catarina, Paraná and Rio Grande do Sul. With free tickets, the presentations in Porto Alegre will take place from tomorrow, the 22nd, at 4 pm, at the Esefid Scenic Laboratory of the Federal University of Rio Grande do Sul (UFRGS), in Jardim Botânico. There will also be a performance at 10am on Friday the 23rd, and on Saturday the 24th, at 8pm, it will be possible to watch it at Espaço n – Estúdio de Dança, in Cidade Baixa.
The project aims to promote interaction and dialogue after the performances, providing free access to different audiences. After circulating through 11 cities in six Brazilian states (Santa Catarina, Paraná, Amazonas, Pernambuco, Rondônia and Acre), participating in an online exhibition and receiving a virtual diffusion award, the show accumulates a total of 32 stagings and reaches hundreds of people across the country. “Karma” – Circulação Sul (2023) marks the end of the cycle of this work, which is directly linked to Lorandi’s doctoral research in the Graduate Program in Performing Arts (PPGAC) at Udesc.
As for the concept of the work and the resumption of circulation, Lorandi states: “With space for the occurrence, interested in everything that crosses a choreographic moment of the past, it does not matter if the movement was executed correctly, but the proposal to discover what that movement desired in us, engraved in our bodies. Why do we repeat and what remains in these bodies? What are these timeless bubbles that guide us on stage? The creation, sensitive to the public and intimate-collective issues, was influenced by the work of astrobiologist Carl Sagan, Buddhist and indigenous philosophies, theories about multiverses or individualization on stage, concerns about identity and gender, texts by writers Jorge Luiz Borges and Erin Manning , our movements and choreographies (or what we remember of them), the trajectory with Grão Cia. of Dance and many, many affections and visions of the world”.
In turn, dancer Maria Claudia Reginato describes “Karma” as an experience. She says, “Experience creates memory, memory creates imagination and desire, and desire creates new karma.” She points out that “karma” is the word used to represent the dance in this work, “a dance of never-equal beginnings, a presentation about ourselves and a dialogue about you”.
The prize
With the Funarte Circulation and Diffusion of Dance Award – 2022, Funarte encourages the circulation of shows and related activities in the area of dance, which have already premiered, contributing to the strengthening of this artistic segment and enabling the expansion of the supply and enjoyment of cultural and creative goods and services. In this action Funarte invests the amount of R$ 1.350 million, with 30 prizes of R$ 45 thousand, six for each region of the country. With national coverage, the institution contemplates 30 projects for the circulation of shows in the artistic segment of dance.
About Rodolfo Lorandi
With 20 years of experience in the areas of culture, education and leisure, Tainá’s father, partner of the artist and producer Mª Claudia Reginato. Researcher-doctoral student in performing arts (Udesc), master in theater (Udesc), specialist in cultural management (Senac), graduated in visual arts (Claretian) and in Physical Education (Udesc). Manager of a micro-enterprise focused on production in art, culture and education, CAPES scholarship holder in the line of performing arts pedagogy by the Postgraduate Program in Performing Arts at Udesc (2020), professor of content at Vitru Edtech, educational solutions and author of the book “Contemporaneidades in Ballroom Dancing: Approaches that Dance Our Times” (2022). He was a technical-artistic juror, by Fesporte, at the Festival Dança Catarina 2022 in 22 cities; activities technician and responsible for managing teams, equipment and leisure, culture and education activities at Hotel Sesc Cacupé (2021/22); university professor in dance and inclusive education and theory and practice of ballroom dancing’, by Faculdade Regional de Blumenau (Furb, 2019/21); producer, teacher and dancer for Grão Cia. de Dança (2012/21) and circulated in eight Brazilian states with works and artistic projects contemplated in different public notices (2015/23). He was sector advisor for the Municipal Council of Cultural Policy of Florianópolis (2016/18); dance instructor at Sesc Prainha and coordinator of cultural and educational courses and projects (2010/13); teacher, dancer and coordinated different activities by the Cenarium Escola de Dança (2005/18) and trainee teacher with health and care activities for the elderly by the Municipality of Florianópolis (2007/08).
About Maria Claudia Reginato
Tainá’s mother, artist, woman, CEO of the company Nó Petit, businesswoman, cultural producer, teacher and dancer, partner of artist Rodolfo M. Lorandi with whom she works and directs cultural projects. She was a producer and dancer for Grão Cia. de Dança (2012/21) and acted as director and/or producer and dancer in the projects Miscelânea em Dança – Neurodiversidades em Mmovimento (2010/Elisabete Anderle 2020), Semana Dança na Escola SC 2020 (Elisabete Anderle 2019). Residency in Multiart and Solidarity Economy (Elisabete Anderle 2017), Research, dissemination and maintenance of Grão (Elisabete Anderle 2017). Show circulations: “Kama” (Klauss Vianna 2015 and Elisabete Anderle 2017/20) and “Moebius” (Klauss Vianna 2015 and Elisabete Anderle 2015/20). She was a teacher and administrative assistant at Cenarium Escola de Dança (2013/19). She danced in the experimental group Kirinus (2012/14); she was a juror for the municipal award Melhores do Carnaval de Florianópolis (2012).
TECHNICAL TEAM
- Direction, production and dancers | Rodolfo Lorandi and Maria Claudia Reginato
- Interlocution | Diana Gilardenghi and dancers
- Production | Gabriel Ferreira, Leonardo Taques, Caio Vedovatto and Tatiana Asinelli
- Light direction | Iscarlat Lemes, Leonardo Taques, Vigo Cigolini and Anne Plein
- Audiovisual direction | jerusalem mary
- Montage, costumes, graphic art and networks | Rodolfo Lorandi and Maria Claudia Reginato
- Mediations | Tatiana Asinelli, Zilá Muniz, Carol Souza, Lidiani Emmerich, Bruna Tomaz, Leonardo Taques, Chico Cordeiro, Caroline Wüppel, Diana Gilardenghi and Katiusca Dickow
- Libras interpreters | Lisiê Mastey and Hanna Beer Furtado
- Graphic design | Rodolfo Lorandi
- Photography | Dayane Ros
- Press office | Neri Pedroso
SERVICE – free presentations
22.6.23 (qui.) – 4 p.m. – Esefid Scenic Laboratory/UFRGS, Rua Felizardo, 750, Jardim Botânico, Porto Alegre/RS
- Mediation | Caroline Wuppel
23.6.23 (sex.) – 10h – Esefid Scenic Laboratory/UFRGS, Rua Felizardo, 750, Jardim Botânico, Porto Alegre/RS
- Mediation | Chico Cordeiro
6/24/23 (Sat.) – 8pm – Space n – Dance Studio, Rua da República, 433/101, Cidade Baixa, Porto Alegre/RS
- Mediation | Carol de Souza
JULY
7.8.23 (Sat.) – 7pm – Sala Cênica Cenarium, Rua Eduardo Gonçalves d’Ávila, 150, Itacorubi, Florianópolis/SC
- Mediation | Lidiani Emmerich
14.7.23 (sex.) – 20h – Teatro Sesc Prainha, trav. Syriaco Atherino, 100, Downtown, Florianópolis/SC
- translation | Lisie Mastey
- Mediation | Diana Gilardenghi
15.7.23 (Sat.) – 19h – Teatro Sesc Prainha, trav. Syriaco Atherino, 100, Downtown, Florianópolis/SC
- translation | Lisie Mastey
- Mediation | Katiusca Dickow
19.7.23 (via.) – 8pm – Casa Hoffmann, Rua Dr. Claudino dos Santos, 58, San Francisco, Curitiba/PR
- translation | Lisie Mastey
- Mediation | Leonardo Taques
20.7.23 (qui.) – 8 p.m. – Escola Danza Mais, Rua 15 de Novembro, 1425, Centro, Curitiba/PR
- translation | Lisie Mastey
- Mediation | bruna tomaz
21.7.23 (sex.) – 20h – Escola Danza Mais, Rua 15 de Novembro, 1425, Centro, Curitiba/PR
- translation | Lisie Mastey
- Mediation | Tatiana Asinelli
LIVE | youtube.com/@maisquedancar
INFORMATION | instagram.com/maisquedancar/
REALIZATION
Funarte Circulation and Diffusion of Dance Award – 2022, National Arts Foundation – Funarte and Ministry of Culture – MinC – Federal Government/Brazil
SUPPORT:
More than Dance Network, Santa Catarina State University (Udesc) – Arts Center, Grão Cia. of Dance, Social Service of Commerce (Sesc/Prainha), Cenarium Dance School, Jerusa Mary Photography, Espaço N – Dance Studio, Abaila – Feio para Mover, Federal University of Rio Grande do Sul (UFRGS) – School of Physical Education , Physiotherapy and Dance, Casa Hoffmann, Cultural Foundation of Curitiba and Municipality of Curitiba
KNOW MORE
Live: youtube.com/@Maisquedancar
Information: instagram.com/maisquedancar
The Funarte Circulation and Diffusion of Dance Award – 2022, promoted across the country by the National Arts Foundation (Funarte), includes 30 projects for the circulation of dance shows. One of these projects is “Karma”, conceived, directed and performed by Rodolfo Lorandi and Maria Claudia Reginato, representing Santa Catarina, where the couple lives and works in Florianópolis. The performance, created in 2015, is based on partnership, ballroom and contemporary dances, and covers Santa Catarina, Paraná and Rio Grande do Sul. With free tickets, the presentations in Porto Alegre will take place from tomorrow, the 22nd, at 4 pm, at the Esefid Scenic Laboratory of the Federal University of Rio Grande do Sul (UFRGS), in Jardim Botânico. There will also be a performance at 10am on Friday the 23rd, and on Saturday the 24th, at 8pm, it will be possible to watch it at Espaço n – Estúdio de Dança, in Cidade Baixa.
The project aims to promote interaction and dialogue after the performances, providing free access to different audiences. After circulating through 11 cities in six Brazilian states (Santa Catarina, Paraná, Amazonas, Pernambuco, Rondônia and Acre), participating in an online exhibition and receiving a virtual diffusion award, the show accumulates a total of 32 stagings and reaches hundreds of people across the country. “Karma” – Circulação Sul (2023) marks the end of the cycle of this work, which is directly linked to Lorandi’s doctoral research in the Graduate Program in Performing Arts (PPGAC) at Udesc.
As for the concept of the work and the resumption of circulation, Lorandi states: “With space for the occurrence, interested in everything that crosses a choreographic moment of the past, it does not matter if the movement was executed correctly, but the proposal to discover what that movement desired in us, engraved in our bodies. Why do we repeat and what remains in these bodies? What are these timeless bubbles that guide us on stage? The creation, sensitive to the public and intimate-collective issues, was influenced by the work of astrobiologist Carl Sagan, Buddhist and indigenous philosophies, theories about multiverses or individualization on stage, concerns about identity and gender, texts by writers Jorge Luiz Borges and Erin Manning , our movements and choreographies (or what we remember of them), the trajectory with Grão Cia. of Dance and many, many affections and visions of the world”.
In turn, dancer Maria Claudia Reginato describes “Karma” as an experience. She says, “Experience creates memory, memory creates imagination and desire, and desire creates new karma.” She points out that “karma” is the word used to represent the dance in this work, “a dance of never-equal beginnings, a presentation about ourselves and a dialogue about you”.
The prize
With the Funarte Circulation and Diffusion of Dance Award – 2022, Funarte encourages the circulation of shows and related activities in the area of dance, which have already premiered, contributing to the strengthening of this artistic segment and enabling the expansion of the supply and enjoyment of cultural and creative goods and services. In this action Funarte invests the amount of R$ 1.350 million, with 30 prizes of R$ 45 thousand, six for each region of the country. With national coverage, the institution contemplates 30 projects for the circulation of shows in the artistic segment of dance.
About Rodolfo Lorandi
With 20 years of experience in the areas of culture, education and leisure, Tainá’s father, partner of the artist and producer Mª Claudia Reginato. Researcher-doctoral student in performing arts (Udesc), master in theater (Udesc), specialist in cultural management (Senac), graduated in visual arts (Claretian) and in Physical Education (Udesc). Manager of a micro-enterprise focused on production in art, culture and education, CAPES scholarship holder in the line of performing arts pedagogy by the Postgraduate Program in Performing Arts at Udesc (2020), professor of content at Vitru Edtech, educational solutions and author of the book “Contemporaneidades in Ballroom Dancing: Approaches that Dance Our Times” (2022). He was a technical-artistic juror, by Fesporte, at the Festival Dança Catarina 2022 in 22 cities; activities technician and responsible for managing teams, equipment and leisure, culture and education activities at Hotel Sesc Cacupé (2021/22); university professor in dance and inclusive education and theory and practice of ballroom dancing’, by Faculdade Regional de Blumenau (Furb, 2019/21); producer, teacher and dancer for Grão Cia. de Dança (2012/21) and circulated in eight Brazilian states with works and artistic projects contemplated in different public notices (2015/23). He was sector advisor for the Municipal Council of Cultural Policy of Florianópolis (2016/18); dance instructor at Sesc Prainha and coordinator of cultural and educational courses and projects (2010/13); teacher, dancer and coordinated different activities by the Cenarium Escola de Dança (2005/18) and trainee teacher with health and care activities for the elderly by the Municipality of Florianópolis (2007/08).
About Maria Claudia Reginato
Tainá’s mother, artist, woman, CEO of the company Nó Petit, businesswoman, cultural producer, teacher and dancer, partner of artist Rodolfo M. Lorandi with whom she works and directs cultural projects. She was a producer and dancer for Grão Cia. de Dança (2012/21) and acted as director and/or producer and dancer in the projects Miscelânea em Dança – Neurodiversidades em Mmovimento (2010/Elisabete Anderle 2020), Semana Dança na Escola SC 2020 (Elisabete Anderle 2019). Residency in Multiart and Solidarity Economy (Elisabete Anderle 2017), Research, dissemination and maintenance of Grão (Elisabete Anderle 2017). Show circulations: “Kama” (Klauss Vianna 2015 and Elisabete Anderle 2017/20) and “Moebius” (Klauss Vianna 2015 and Elisabete Anderle 2015/20). She was a teacher and administrative assistant at Cenarium Escola de Dança (2013/19). She danced in the experimental group Kirinus (2012/14); she was a juror for the municipal award Melhores do Carnaval de Florianópolis (2012).
TECHNICAL TEAM
- Direction, production and dancers | Rodolfo Lorandi and Maria Claudia Reginato
- Interlocution | Diana Gilardenghi and dancers
- Production | Gabriel Ferreira, Leonardo Taques, Caio Vedovatto and Tatiana Asinelli
- Light direction | Iscarlat Lemes, Leonardo Taques, Vigo Cigolini and Anne Plein
- Audiovisual direction | jerusalem mary
- Montage, costumes, graphic art and networks | Rodolfo Lorandi and Maria Claudia Reginato
- Mediations | Tatiana Asinelli, Zilá Muniz, Carol Souza, Lidiani Emmerich, Bruna Tomaz, Leonardo Taques, Chico Cordeiro, Caroline Wüppel, Diana Gilardenghi and Katiusca Dickow
- Libras interpreters | Lisiê Mastey and Hanna Beer Furtado
- Graphic design | Rodolfo Lorandi
- Photography | Dayane Ros
- Press office | Neri Pedroso
SERVICE – free presentations
22.6.23 (qui.) – 4 p.m. – Esefid Scenic Laboratory/UFRGS, Rua Felizardo, 750, Jardim Botânico, Porto Alegre/RS
- Mediation | Caroline Wuppel
23.6.23 (sex.) – 10h – Esefid Scenic Laboratory/UFRGS, Rua Felizardo, 750, Jardim Botânico, Porto Alegre/RS
- Mediation | Chico Cordeiro
6/24/23 (Sat.) – 8pm – Space n – Dance Studio, Rua da República, 433/101, Cidade Baixa, Porto Alegre/RS
- Mediation | Carol de Souza
JULY
7.8.23 (Sat.) – 7pm – Sala Cênica Cenarium, Rua Eduardo Gonçalves d’Ávila, 150, Itacorubi, Florianópolis/SC
- Mediation | Lidiani Emmerich
14.7.23 (sex.) – 20h – Teatro Sesc Prainha, trav. Syriaco Atherino, 100, Downtown, Florianópolis/SC
- translation | Lisie Mastey
- Mediation | Diana Gilardenghi
15.7.23 (Sat.) – 19h – Teatro Sesc Prainha, trav. Syriaco Atherino, 100, Downtown, Florianópolis/SC
- translation | Lisie Mastey
- Mediation | Katiusca Dickow
19.7.23 (via.) – 8pm – Casa Hoffmann, Rua Dr. Claudino dos Santos, 58, San Francisco, Curitiba/PR
- translation | Lisie Mastey
- Mediation | Leonardo Taques
20.7.23 (qui.) – 8 p.m. – Escola Danza Mais, Rua 15 de Novembro, 1425, Centro, Curitiba/PR
- translation | Lisie Mastey
- Mediation | bruna tomaz
21.7.23 (sex.) – 20h – Escola Danza Mais, Rua 15 de Novembro, 1425, Centro, Curitiba/PR
- translation | Lisie Mastey
- Mediation | Tatiana Asinelli
LIVE | youtube.com/@maisquedancar
INFORMATION | instagram.com/maisquedancar/
REALIZATION
Funarte Circulation and Diffusion of Dance Award – 2022, National Arts Foundation – Funarte and Ministry of Culture – MinC – Federal Government/Brazil
SUPPORT:
More than Dance Network, Santa Catarina State University (Udesc) – Arts Center, Grão Cia. of Dance, Social Service of Commerce (Sesc/Prainha), Cenarium Dance School, Jerusa Mary Photography, Espaço N – Dance Studio, Abaila – Feio para Mover, Federal University of Rio Grande do Sul (UFRGS) – School of Physical Education , Physiotherapy and Dance, Casa Hoffmann, Cultural Foundation of Curitiba and Municipality of Curitiba
KNOW MORE
Live: youtube.com/@Maisquedancar
Information: instagram.com/maisquedancar
